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Sábado en Alausí / Saturday in Alausí

22 Oct

Columbia Journal Fall Contest Finalist!

I’ve always been a little wary about sending poems to contests. It seems almost impossible to win, and although the prizes can be substantial, the entry fees are not cheap.

This year I decided to try my luck and entered a number of contests. While I’ve definitely gotten my usual share of rejections, this year things have been different. I won the Betty Gabehart Prize, which was amazing. Then, I was selected as a semifinalist for the Frontier Industry Prize. While I didn’t make it to the finalist round, they told me that my poem made it to the top 4% of entries. That made me feel very good and it’s been a huge encouragement for me and my poetry.

Last week I got excellent news: my poem “Sábado en Alausí/Saturday in Alausí” was selected as a finalist in the Columbia Journal Fall Contest! I didn’t win any money, but my poem got published in the Columbia Journal Online— so stoked!

The poem is about the knock on the door that so many of my ancestors dreaded. Even after emigrating to South America from Spain, the Inquisition followed. The characters are different, but this story keeps repeating itself over and over.

This poem is in Spanish and English, which is another reason why I am so grateful that it was selected. It is a gamble to send a multilingual poem in as a contest submission. But, this poem has to appear in both languages, because it is written for the descendants. I couldn’t just send it in English. It would have been like sending half the poem.

Click here to read the poem: http://columbiajournal.org/fall-2019-contest-poetry-finalist-sabado-en-alausi-saturday-in-alausi/

Then, come back here and let me know what you think in the comments!

Self Portrait Con Naranja

9 Sep

I am elated to share that my latest poem is live on the Nashville Review!!!

This poem is dedicated to my mother, Lupe Eyde.

I am so grateful for the friends and mentors who helped me in the writing and revision process, including Maggie SmithNickole Brown and Gregory Pardlo. Seeing this poem living at Nashville Review is a dream come true for me.

Click here to read it: Self Portrait Con Naranja by Lupita Eyde-Tucker

Screenshot of "Self Portrait Con Naranja" on the Nashville Review.

2019 Betty Gabehart Prize for Poetry!

25 Jul

I have amazing news – I won the 2019 Betty Gabehart Prize for Poetry! I will  be reading my poems onstage with Dr. DaMaris Hill, author of “A Bound Woman is a Dangerous Thing.

From the Kentucky Women Writers Conference website:

“Every year the Kentucky Women Writers Conference offers three emerging writer awards in poetry, fiction, and nonfiction. Each winner receives full tuition support for the September conference, enrollment in a workshop, a $300 honorarium, and the opportunity to read her winning manuscript onstage during the conference. The Betty Gabehart Prize honors our good friend, patron, and former director who led the conference during its seminal decade in the 1980s.  2019 WINNERS ANNOUNCED! (please click on this link)”

The prize did not include publication. My winning manuscript was called “How to Ride a Train in the Andes & other poems.”

Betty_Gabehart_Twitter_Announcement.jpg

Reading at The Betsy March 7th!

2 Mar

For the past three weeks I’ve been participating in a generative poetry workshop through O, Miami with wonderful poet and human, Mahogany Browne (#blackgirlmagic). The workshop’s focus is “Nature and the Socio-Political Body” and the work being produced by the poets has been outstanding.

If you have an opportunity to workshop with Mahogany Browne— DO IT. It was excellent in so many ways. First of all, she conducts her workshop very professionally, and is an excellent manager of time. She kept us on track and each session included time for two generative prompts, close reading of poems by contemporary poets, and workshop time for feedback on our new poems. Secondly, the themes and topics that she chose to help springboard our poems resonated deeply with us. These were not fluffy and safe topics, but they were well presented and designed to help us draw from the profundities of our own well.

This Thursday, March 7th our workshop is having a finale reading at The Betsy in Miami Beach. I’ll be reading new work!

Here’s a link to the official info from O, Miami: http://www.omiami.org/events/2019/3/7/mahogany-l-browne-community-reading

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This is me, reading at the Bread Loaf Environmental Writers Conference in June 2018.

Tres poemas de Lupita Eyde-Tucker

3 Jan

Three new poems of mine are up on Digo.Palabra.Txt!

I am overjoyed that my poems in Spanish are finding homes. I also learned this past week that another publication, Contrapuntos VI, will be publishing some of my poems as well.

Digo.palabra.txt

5f2180912afad2af22940259afd422d3Owen Gent

Lupita Eyde-Tucker escribe y traduce poesía en inglés y español. Estudió poesía y traducción en Bread Loaf. Es Fellow de The Watering Hole y fue seleccionada como un AWP 2018 Writer to Writer Mentee. Sus poemas han aparecido en Baltimore Review, SWWIM, Muse / A Journal, Nashville Review, Small Orange, Aquifer, The Accentos Review. y próximamente en The Florida Review. Sus poemas tambien aparecen en su sitio de internet: www.notenoughpoetry.com

~

Mientras la ostra no se abre

Esto es la historia de un exilio. La que persiste puertas adentro. En las mañanas abro la brecha: párpados de concreto, pestañas de hierro se hacen pasar por ventanas. En el aire, algo quemando, duerme. Su cabeza pesada sobre el hombro de la ciudadela con aliento de diésel, el olor de las pepas de acacia secando en la rama, algo de basura. Trepo la furgoneta, la quinta persona amontonada en un…

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Ode to Guayaquil

16 Aug

I am overjoyed to share that my poem in Spanish, “Ode to Guayaquil,” appears in the August 2018 edition of The Acentos Review! There is a great line up of poets in this issue that I am grateful to be counted among – including Alexandra Gulden, Monica Garcia, and ire’ne lara silva!

You can read the entire issue here: The Acentos Review

And I have a new bio pic!

lupita eyde tucker bio photo

Crab on the Loose

12 Mar

Happy to report that my poem “Crab on the Loose” found a home at Muse/A Journal #6! If you can, definitely grab a copy, as it features a ton of really excellent poems and writers that I am honored to be included among.

You can pick one up here: www.museajournal.com

I recorded a reading of the most recent version of the poem – HAVE A LISTEN:

Pushcart Prize 2017 Nominees

2 Jan

Many thanks to the editors of Naugatuck River Review for nominating my poem, Año Viejo, for a Pushcart Prize!

Naugatuck River Review

Naugatuck River Review announces nominations
for the 2017 Pushcart Prize. Congratulations!

Destiny O. Birdsong for “Mythicana”

Kristi Carter for “One Orange Streak of Day”

Howard Faerstein for “Splintering”

Lupita Eyde-Tucker for “Año Viejo”

alyssa hanna for “Amphioctopus marginatus”

Joshua Michael Stewart for “Visiting my Mother in the Nursing Home for the First Time”

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Año Viejo

1 Dec

My poem, Año Viejo, was published in the Fall 2017 issue of the Naugatuck River Review.

 

Año Viejo

Año Viejo was nominated for a Pushcart Prize.

O, Miami Chapbook Workshop 2017

31 Oct

Spread over 8 weeks in the months of Sept. and Oct., the O, Miami “Write and Publish Your Own Chapbook” workshop explored the chapbook in all it’s forms, gave participants a chance to generate poetry with thoughtful prompts and readings, and time together to workshop poems in preparation for publication.

Literally, the moment I found out about the O, Miami Chapbook Workshop, I signed up. I have been thinking about publishing a chapbook for a long time now. I have several groups of poems that I have already written, and ideas for poems that I could write, to potentially include in several different chapbooks. This workshop helped me dedicate time and commit to making one chapbook a reality. That in itself was priceless.

Our instructor, Caroline Cabrera, did an outstanding job of leading us down a path to learning and understanding what our chapbooks could be- one major facet of our workshop was that by the end of the 8 weeks we were going to have a 12-page chapbook, printed and bound, all of our very own.

The workshop gave us the opportunity to not just generate new work, but also workshop our poems with the other poets in the group. We each workshopped three poems, one every other week. Discussions were lead by Caroline, who was an excellent moderator and helped guide us as we discussed each poem. Thankfully, we really gelled as a group and learned a lot from each other. All of this unleashed a wave of creativity and inspiration that I think we all felt – every night after class I got back home and wanted to write and read poetry all night long, my brain firing in all kinds of creative directions.

Another excellent aspect of the workshop was the ability to focus on one idea or theme in our poetry, and begin to carry that through to a finished product. Beginning with the first week of the workshop, Caroline brought her personal collection of chapbooks to share with us by lending them out. Seeing how different poets approach this medium is fascinating and liberating. A chapbook is a world unto itself- a journey into the mind of each poet. I wish I had more time to read more of them 🙂 But my takeaway was that I could envision my chapbook as it’s own little world, and that has translated into a laser-like focus that I am still learning from.

There truly is nothing like holding a book of your own words in your hands. Our finished products were designed by Phil, Caroline’s husband, who took great care and creativity in laying out the covers and pages. It’s one thing to run copies of your own poetry off of your printer, but it’s a totally different experience to see them laid out, looking book-professional and official. Thank you, Phil!

We each produced 10 copies of our finished product. Since our chapbooks are part of a series for our class, we decided to call it the Category Six Chapbook Series (thanks to Hurricane Irma which hit during the second week of class). They are similar in cover design, but we were encouraged to embellish them in any way we want to. From seeing Caroline’s collection of chapbooks, I knew that I wanted a little color and some more tactile elements, so I included some end papers and a ribbon bookmark in mine. In several of my poems I use the phrase green-gold, so my end papers are gold vellum, and my ribbon bookmark is thin green satin. I think they look beautiful!

All of the participants also received the PDF file of their chapbook so they can print up more copies if they wanted to. Some of the poets in the workshop are selling their chapbooks. I gave away 8 copies of my chapbook and kept 2 for my family. I am not going to print any additional copies, mainly because I already have worked some more on those poems and am submitting them to literary magazines and poetry contests.

This workshop was one of the best experiences in my entire life. It jump-started my chapbook, which eventually is going to grow into a book-length collection of poems. I now have a manuscript that I am going to work on over the summer at the Bread Loaf Environmental Writer’s Conference in Ripton, Vermont. My goal is not only to expand the collection, but also to use that manuscript to apply to MFA programs for Fall 2019.

Thank you O, Miami!!!

plein air ecstatic poetry

Creek Lover – my 12 page chapbook of plein air ecstatic poetry.

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